There are moments in fashion when the runway pauses—long enough to look beyond itself, beyond its own archives—and into cultures that have long defined beauty, craftsmanship, and identity on their own terms.
This season, as Ralph Lauren debuted earrings reminiscent of the Indian jhumka at Paris Fashion Week, the global narrative responded in a familiar way: it called it a trend, a revival, a new statement.
But the jhumka does not belong to the language of trends.
It belongs to the language of legacy.
An Heirloom of Movement, Meaning, and Memory
The jhumka—derived from the Hindi word jhumna, meaning “to sway”—is defined as much by its movement as by its form. Its signature bell-shaped silhouette, often adorned with intricate filigree, kundan work, meenakari enamel, or ghungroo detailing, is instantly recognisable across regions of India.
Its origins trace back centuries, with visual references found in temple sculptures of South India and royal adornment across Mughal courts. From the grandeur of classical Bharatanatyam dancers to the quiet elegance of everyday wear, jhumkas have existed across spaces—ceremonial, cultural, and contemporary.
They have never been confined to a single narrative.
- In the South, they appear as temple jhumkas, steeped in devotional artistry
- In the North, they evolve through Mughal influence, layered with intricate stonework
- Across regions, they transform into jhumkis, chandbalis, and balis—each carrying its own nuance
What remains constant is their essence: a piece that moves with the wearer, reflecting light, rhythm, and identity.
Beyond the Runway: When Fashion Encounters Heritage
When global fashion houses reinterpret silhouettes like the jhumka, it is often framed as innovation. But what we are witnessing is not invention—it is recognition.
A recognition that comes late.
Because for generations, Indian jewellery has existed outside the cyclical validation of Western fashion calendars. It has not needed seasons to define its relevance. It has endured through time, carried forward not by trend cycles, but by people—by women who wore these pieces not as statements, but as extensions of themselves.
The runway may amplify it.
But it has always belonged elsewhere.
The Modern It-Girl Always Knew
Long before the global spotlight, the jhumka was already an emblem of effortless style.
It was worn by women who understood that elegance is not dictated—it is lived.
It was styled across decades, across aesthetics, across identities.
Jhumki was always an it-girl favourite.
Not because it was trending.
But because it never needed to.
At Siguette Roshe: Heritage, Reimagined
At Siguette Roshe, we do not see the jhumka as something to be rediscovered.
We see it as something to be continued.
Our collections are rooted in the belief that heritage is not static—it evolves, adapts, and reclaims space in the modern wardrobe without losing its essence.
Our edit of jewellery includes:
- Handcrafted jhumkas that honour traditional silhouettes while refining proportion and finish
- Contemporary jhumkis designed for everyday elegance—lightweight, versatile, and enduring
- Statement balis and chandbalis that merge heritage motifs with modern styling sensibilities
Each piece is created with attention to detail, materiality, and movement—because a jhumka is not just worn, it is experienced.
We design for the woman who understands that style is not borrowed from the runway.
It is inherited, interpreted, and owned.
A Timeless Statement
So while the world may be discovering the jhumka anew—framing it as a seasonal statement, a fleeting trend—we recognise it for what it has always been:
An heirloom of culture.
A symbol of continuity.
A language of elegance that transcends time.
Not new.
Just noticed.
Shop The Real Deal and Explore Our Jewellery Collection Here